UNSEEN (Experimental Cinemaclub)


UNSEEN is a film club at 8/10 Kaliska Street that amplifies diverse voices — particularly those of emerging and under-represented filmmakers. We aim to screen films that reveal what often remains unseen — both in subject matter and form.

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UNSEEN consists of monthly gatherings: screenings + discussions + a space for getting to know one another, exchanging ideas and collaborating.

(PL ⬇️) The third session of @unseen.dkf, held as part of the @palestinesolidaritydayswarsaw, has taken place. With @strefa_wolnoslowa venue full, @basmalsharif films surprised and stirred everyone. Afterwards, her generous participation, providing c
• Frames: Deep Sleep - O, Persecuted - Capital - We Began by Measuring Distance • In Basma al-Sharif’s films, history and space are represented with their multiple layers and dimensions. Images are allowed to be seen through other im
• Four films by Basma al-Sharif next week in UNSEEN: Deep Sleep – Autohypnosis, bi-location, ruins of ancient and modern civilizations. An invitation to transcend geographical borders in a collective act that discards memory for a viscera
• 25/06 • @basmalsharif Basma al-Sharif, palestyńska artystka tworząca na pograniczu kina i instalacji, mieszka i pracuje w Berlinie. Urodzona w 1983 w Kuwejcie, w palestyńskiej rodzinie, dorastała we Francji i Stanach Zjednoczonych, podr&o
🎞️ • Fragments from four works by Basma al-Sharif that we will present: 1️⃣ From Capital: “A ventriloquist, songs, and advertisements describe a seemingly bygone era of fascism. Satire as the only way to speak.” 2️⃣ From Deep Sleep
• UNSEEN are thrilled to present, in connection with the @palestinesolidaritydayswarsaw, a session with four works by Basma al-Sharif, a Palestinian artist working between cinema and installation. 🍉 Her practice looks at cyclical political conf
DKF UNSEEN  African Days Warsaw 2026 Thank you to everyone who joined us for the screening of Everyday Blackness by Glenn Asumadu. Created as part of When We See Us: A Century of Black Figuration in Painting at Kunstmuseum Basel, the audiovisu
• TODAY — UNSEEN special session at African Days festival. Screening: EVERYDAY BLACKNESS by Glenn Asumadu / OKRA Collective. The film engages with the question of how everyday life looks, sounds and feels from an Afro-diasporic viewpoint
• EVERYDAY BLACKNESS. Directed by Glenn Asumadu with OKRA Collective. The work engages with the question of how everyday life looks, sounds and feels from an Afro-diasporic viewpoint. Intimate and personal. A blend of visuals, dance, music, voi
• Director: Glenn Asumadu @akwasiglenn – filmmaker, DJ and cultural worker based in Basel. His work bridges Afro-diasporic culture, Black fugitivity, ecological consciousness and experimental storytelling. Asumadu is a founding member of O
Today on Unseen, we spotlight OKRA Collective @_weareokra_ a collective of Black multidisciplinary artists and cultural practitioners working across sound, image, and poetry. Through community-centered spaces, collaborative practices, and cultural
EVERYDAY BLACKNESS, by @akwasiglenn will be this special extra session of UNSEEN, being part of the African Days.  “Intimate conversations, reflections and imaginations on spirituality, community and what it means to navigate systems of o
• UNSEEN will have a special session within the African Days festival, a cultural festival in Warsaw presenting contemporary African creativity from the perspectives of Africans and the diaspora in Poland and across Europe. Under the theme &ldqu
The first Unseen screening is behind us. Thank you to everyone who showed up and stayed with us through the conversations, the silence, and the reflections during the screening and the post-screening talk with @ghassansalhab We’re grateful.
Tonight’s screening will be followed by a conversation with director Ghassan Salhab. Join us for a closer look into the films — and a discussion on the current situation in Lebanon 🇱🇧 First screening: (Posthumous) + No Title 📍 Kalisk
• Some frames from (Posthumous) and No Title; fragments of the experience that Ghassan takes us through, as he traverses Lebanon, transferring to us the feeling after unnameable events. On 23.04, we will experience them together and talk about w
• Both films travel between humans and ruins. They show the destruction, and yet life that resists. Together in this session, they form a diptych: one film haunted by the brutal presence of an altered reality, the other by the impossibility of
• Ghassan Salhab (Arabic; غسان سلهب, born 4 May 1958) is a Lebanese screenwriter and film director born in Dakar, Senegal. In addition to making his own films, he collaborates on various scenarios and teaches film in Lebanon. He has directed si